Debussy - Marietta Petkova – Feux d'Artifice
Label: Bloomline BS19-096
Series: Concert Documents
Format: 2CD, Album, Stereo
Released: 2019
TRACKLIST:
CD 1 Claude Debussy (1862-1918) Préludes pour piano, 1er Livre (1909-1910)
1-1 I. Danseuses de Delphes 3:07
1-2 II. Voiles 3:04
1-3 III. Le Vent dans la plaine 2:48
1-4 IV. Les sons et les parfums tournent dans l'air du soir 3:37
1-5 V. Les collines d'Anacapri 3:32
1-6 VI. Des pas sur la neige 3:24
1-7 VII. Ce qu'a vu le vent d'Ouest 3:52
1-8 VIII. La fille aux cheveux de lin 2:30
1-9 IX. La sérénade interrompue 3:07
1-10 X. La Cathédrale engloutie 7:28
1-11 XI. La Danse de Puck 3:16
1-12 XII. Minstrels 2:27
CD 2 Claude Debussy (1862-1918) Préludes pour piano, 2e Livre (1910-1912)
2-1 I. Brouillards 3:32
2-2 II. Feuilles mortes 3:12
2-3 III. La Puerta del Vino 3:12
2-4 IV. ''Les Fées sont d' exquises danseuses'' 3:20
2-5 V. Bruyères 3:18
2-6 VI. Général Lavine - eccentric 2:56
2-7 VII. La terrasse des audiences du clair de lune 4:22
2-8 VIII. Ondines 3:28
2-9 IX. Hommage à S. Pickwick Esq. P. P. M. P. C. 3:04
2-10 X. Canope 3:23
2-11 XI. Les tierces alternées 3:12
2-12 XII. Feux d'Artifice 5:12
COMPANIES, etc:
Record Company – Bloomline Studio
Recorded At – Salle Paderewski
Duplicated By – Sony DADC Austria
Edited At – Bloomline Studio
Mastered At – Bloomline Studio
CREDITS:
Artwork - Yasar Saka, Leo de Klerk
Liner Notes - Wenneke Savenije, Marietta Petkova, Pierre Hugli
Photography By - Leo de Klerk, Serena Martinelli, Chris Hoefsmit
Piano Technician - Francis Morin
Producer, Recorded By - Leo de Klerk
Translations - Martha Chorney Martine Barends
THANKS TO
Pierre Hugli - Association des Concerts de Montbenon
Francis Morin (Steinway preparation)
Sébastien De Paul - Salle Paderewski (technical assistance)
Martial Durand - Salle Paderewski) (technical assistance)
Gerard Combee - Museum Weesp
NOTES:
Recorded live in concert on June 20, 2019, Salle Paderewski, Casino de Montbenon, Lausanne (CH), Steinway and Sons D500995.
© ℗ 2019 Marietta Petkova
Barcode: 9789077117477
Feux d'Artifice
'Marietta Petkova doet op deze live opname de muziek alle eer aan
met haar doorleefde, warmbloedige, evocatieve spel. Je hangt aan haar lippen.’
In this live recording Marietta Petkova honours Debussy’s music with her masterful, warm-blooded, evocative playing. You’re on the edge of your seat.'
-Erik Voermans, Het ParoolDe beste opname van Debussy’s Préludes in decennia!
- Maarten Brandt, musicoloog'I am extremely excited that this recording has been issued. One can never hear Debussy's Préludes often enough! Beautiful music, so expressively interpreted and excellently recorded '
- Elly Ameling, singer
'Petkova's playing is unforgettable (*****)
- Rudolf Nammensma, Leeuwarder Courant
'In an interview some years ago, Petkova said she wants to be the purest possible medium between the composer and the audience. ‘I want to touch a tender spot. That can cause emotions, including anger or exuberance. I don’t want to force anything, but to spark something’. And that is precisely what Petkova achieved at the end of November in The Amsterdam Concertgebouw’s Recital Hall with Chopin and Debussy. In a few months Petkova will release a solo album with the 24 Preludes of Debussy, to be recorded during a live performance in Switzerland. With that recording, which I am waiting for impatiently, she will, without doubt, liberate the composer from the common ‘French’, often reticent and distant, interpretations. And rightly so, because ultimately Debussy’s music contains, well-hidden, elusive veils of emotion, like the microscopic life without wich the oceans would not exist.'
- Wenneke Savenije, Amsterdam Concertgebouw, November 25, 2018
In this live recording Marietta Petkova honours Debussy’s music with her masterful, warm-blooded, evocative playing. You’re on the edge of your seat.”
-Erik Voermans, Het Parool