top of page
2CD Feux d'Artifice
Feux d'Artifice is ook verkrijgbaar als CD. Klik hier
 
Label: Bloomline ‎BS19-096
Series: Concert Documents
Released: 2019
 
 
TRACKLIST:
CD 1 Claude Debussy (1862-1918) Préludes pour piano, 1er Livre (1909-1910)
1-1   I. Danseuses de Delphes 3:07
1-2   II. Voiles 3:04
1-3   III. Le Vent dans la plaine 2:48
1-4   IV. Les sons et les parfums tournent dans l'air du soir 3:37
1-5   V. Les collines d'Anacapri 3:32
1-6   VI. Des pas sur la neige 3:24
1-7   VII. Ce qu'a vu le vent d'Ouest 3:52
1-8   VIII. La fille aux cheveux de lin 2:30
1-9   IX. La sérénade interrompue 3:07
1-10 X. La Cathédrale engloutie 7:28
1-11 XI. La Danse de Puck 3:16
1-12 XII. Minstrels 2:27
 
CD 2 Claude Debussy (1862-1918) Préludes pour piano, 2e Livre (1910-1912)
2-1   I. Brouillards 3:32
2-2   II. Feuilles mortes 3:12
2-3   III. La Puerta del Vino 3:12
2-4   IV. ''Les Fées sont d' exquises danseuses'' 3:20
2-5   V. Bruyères 3:18
2-6   VI. Général Lavine - eccentric 2:56
2-7   VII. La terrasse des audiences du clair de lune 4:22
2-8   VIII. Ondines 3:28
2-9   IX. Hommage à S. Pickwick Esq. P. P. M. P. C. 3:04
2-10 X. Canope 3:23
2-11 XI. Les tierces alternées 3:12
2-12 XII. Feux d'Artifice 5:12
 
Recorded live in concert on June 20, 2019, Salle Paderewski, Casino de Montbenon, Lausanne (CH), Steinway and Sons D500995.
 
© ℗ 2019 Marietta Petkova
 
 

2CD Feux d'Artifice

€18.00Price

  • De beste opname van Debussy’s Préludes in decennia!
    - Maarten Brandt, musicoloog

     

    'I am extremely excited that this recording has been issued. One can never hear Debussy's Préludes often enough! Beautiful music, so expressively interpreted and excellently recorded '

    - Elly Ameling, singer

     

    'Petkova's playing is unforgettable (*****)

    - Rudolf Nammensma, Leeuwarder Courant

     

    'In an interview some years ago, Petkova said she wants to be the purest possible medium between the composer and the audience. ‘I want to touch a tender spot. That can cause emotions, including anger or exuberance. I don’t want to force anything, but to spark something’. And that is precisely what Petkova achieved at the end of November in The Amsterdam Concertgebouw’s Recital Hall with Chopin and Debussy. In a few months Petkova will release a solo album with the 24 Preludes of Debussy, to be recorded during a live performance in Switzerland. With that recording, which I am waiting for impatiently, she will, without doubt, liberate the composer from the common ‘French’, often reticent and distant, interpretations. And rightly so, because ultimately Debussy’s music contains, well-hidden, elusive veils of emotion, like the microscopic life without wich the oceans would not exist.'

    - Wenneke Savenije, Amsterdam Concertgebouw, November 25, 2018 

     

    In this live recording Marietta Petkova honours Debussy’s music with her masterful, warm-blooded, evocative playing. You’re on the edge of your seat.”

    -Erik Voermans, Het Parool

  • ‘Een indrukwekkend discours, subliem vastgelegd’ 

    Opusklassiek

bottom of page